The Barr Brothers are finally flying above the radar. That, and I’m admittedly a year behind with this discovery. Thanks to the Line of Best Fit, I stumbled across this Montreal-based band after reading a lovely “Folk Innovators” review. Their self-titled album dropped in 2011, but siblings Andrew and Brad Barr, accompanied by harpist Sarah Page and multi-instrumentalist Andres Vial, have made consistent appearances at various Canadian jazz and folk festivals and toured with the Low Anthem and Alexi Murdoch. In a time where indie folk outfits dominate the airwaves, the Barr Brothers take a similar sound and soar above the limits of folk music.
Their music is extremely well-crafted, from dreamy, endearing singles like “Beggar in the Morning” and “Cloud” to a bluesy, stomping “Lord, I Just Can’t Keep from Crying.” My favorite is the dark “Deacon’s Son,” featuring Psapp-inspired percussion, steel drums, and an aggressive harp solo (never thought I’d ever see that combo!) It seems disjointed, but in fact, the Barr Brothers prove their versatility and innovation around a rich Americana sound.
In the lively “Give the Devil Back his Heart,” the Barr Brothers summon “every moth barreling towards a flame.” After a year of cultivation, the Barr Brothers can count on a trusted fanbase barreling towards new music.